Back in April, a bunch of local theatre folks got together to have dinner and meet up. Tonight was the second installment in what seems to be a 3-or-4-times-a-year event, held in local theatre spaces. The April 6th pot-luck was hosted by Mad Cow Theatre downtown, and today’s was held in the lobby of the Orlando REP.
Folk etymology has derived the term “potluck” from the Native American custom of potlatch; the word “potluck”, however, is actually of English origin. It is a portmanteau word formed from (cooking) pot and lucke. The earliest written citation is from 1592: “That that pure sanguine complexion of yours may never be famisht with pot lucke,” Thomas Nashe. As this shows, the original meaning was “food given away to guests”, probably derived from “whatever food one is lucky enough to find in the pot”, i.e. whatever food happens to be available, especially when offered to a guest. By extension, a more general meaning is “whatever is available in a particular circumstance or at a particular time.”
Potlatch is actually a good custom from which to derive this kind of dinner - the potlatch is often celebrated at special events, like births, celebrations of the harvest, and weddings. It is a show of wealth and prosperity, where the person holding the potlatch holds a feast, and trades some prized commodity for things they might need.
The tech community’s BarCamp and the PR and Media community’s BlogOrlando could be seen as a kind of potlatch - we’re trading ideas and experience.
The idea for the Theatre Pot-Luck was originally spawned by local actor John Baker via Elizabeth Maupin’s Orlando Sentinel theatre blog, which is also the best place see announcements for other upcoming events. The Orlando Arts Blog is another good place to check. Apparently, the Orlando Shakes has volunteered to hold the next one in a few months. Right now there is no organizer, it just sort of happens as someone steps up to offer space - which is, in my opinion, as it should be.
With Florida Creatives and BarCamp, the geeks are really fixated on a single person having all the ideas, and I think this is stifling the creativity and experimentation that could be happening if the organizations were more headless. One way we can do that with Florida Creatives is having chapters in other cities, which we are getting going in Melbourne/Brevard now, and hopefully more successfully in Jacksonville some day - the only stopping other cities is an initial organizer.
Yes, someone does have to take the reins, but only until it gains critical mass. Even when I tried to move the Happy Hour to the Fringe Beer tent some of the downtown folks still went to Crooked Bayou looking for their regular 3rd Monday beer-and-tots… funny.
I really meant to take some pictures, but when I was there, I just didn’t see an opportunity.
What goes on at a theatre potluck? Well I talked to Arwen Lowbridge from Fractured Atlas in New York - she’s down here visiting so she could check out Beth Marshall and Tod Kimbro’s My Illustrious Wasteland - they were both also there, along with Betsy Maupin, of course - I ate dinner with them and (for a few minutes) John DiDonna, but he had to run.
Arwen and I waxed delicious about non-GMO, CSA farms, picking your own fruit, and having fresh food delivered to your house. I also had my first face-to-face meeting with Maupin, who said something to the effect of “You look bigger than on the Internet”.
I later moved over to a table with David Almeida , Marcie and Stephen J Miller from Here Be Dragons. There were some interesting threads there too, like one about experimenting with different roles while you’re in school, because once you’re out, you get cast as yourself for the rest of your life. The other hot topic was nudity, since David had done a play at Fringe with an extended nude scene.
I also got to hear about the history of this event, which is really important to me. The more I get into this, I see myself leaning more towards the role of documentarian and historian. I’m actually thinking about shooting a 20-25 minute documentary in a few weeks if I get the logistics figured out - I also hope that I will be able to get the help with editing that I’m hoping for… more on this later.
Looking forward expectantly to the next Pot-Luck - next time I promise to bring something. Betsy’s chicken and David’s brownies were great, and I heard good things about some lo mein and Stephen’s apple pie too.
Five fifths of Romeo & Juliet - a teaser for the Minnesota Fringe. Take a play, cut it into five pieces, give them to five Fringe companies, and see what they come up with… sounds awesome.
This year I thought I’d employ a bit of science to my Blogging of Fringe - I was worried the site had turned into all Fringe Crush, all the time, and completely about local acts instead of National and International. I was mostly right.
Here are some handy graphs to point out why we suck:
Here we see Text only posts at 10%
VoiceMail Reviews and audio at 13%
Any non-Fringe Crush videos at 37%
Fringe Crush takes it home with 41%
My second criticism is that we favored local, and the numbers don’t lie:
International 6%
National Acts 13%
On the Fringe 38%
Local Artists 43%
This scale is even graded on a curve, because I counted Bric-a-Brac as national because they’re from Austin, but they all used to live here, and they were produced by Beth. And the only things in the “On the Fringe” category were folks who were not in shows, but many of them have been in the past.
That means we had a distribution like this:
I guess 19% isn’t bad for Long Tail content. I’d like to do better. It’s a mission of mine to keep that number above 20% all the time, so I guess we did pretty well this time.
The Videos and Audio did have some categories we threw them in:
The new Fringe Moments were 11%
The VoiceMail Reviews at only 13%
The favorite Fringe Crush with 41%
Everything else this year with 35%
Also, I was very proud of us when I found out Beth would be presenting a Fringe Crush award for the show with the most crushes. Denna counted up the results, and by no surprise, VarieTease won! I think that’s a challenge to the cast of Oral to do some more campaigning for next year.
One last statistic, of the 32 shows I saw, 55% of them were not local.
Again, we’re counting Bric-A-Brac and Parlour Games as National, because they are… sortof.
While doing some web surfing, I noticed some video of the Silent Rave Dancers on the Green at Loch Haven Park.
Then I started clicking around…
There is some great stuff in there, like this one with Brian Feldman doing some audience participation. I don’t know if the gay lover story was the same every night, but I’m really sorry I missed that show.
Props go out to Tisse and her camera. But don’t forget, she’s “Not just a photographer” (her words). She also does a brand of life coaching she calls Artist Development, and she’s organizing some events around town, like Artissed Night.
Why did I start a blog about Mark and finish it about Tisse? Mark was how I first heard about her, and they have been working together a lot lately on the Orlando Arts Blog, which has always been awesome, but now is starting to be even more multimedia. Please go check them out.
I came across this Canadian improv troupe somewhere in my web surfing this year, and this week I saw their videos on the Montreal Fringe’s Facebook page.
Some of our friends from previous Orlando Fringes will be there, like Barry Smith (Jesus in Montana, American Squatter), TJ Dawe (Totem Figures, Slipknot), and Greg Landucci (Dishpig, Mr. FOX), and Influx Dance (Goals for 2002). Also, some new friends from this year’s festival - The Cody Rivers Show (Stick to Glue) and Andrew Connor (Boom), will be there too.
If this information is wrong, sorry. Iwas having some trouble finding info on the Fringe site. If I’m missing anyone, I’d love to include them too.
Funny thing about Montreal and Blogging Fringe - if you search for it, we come up on the first page, from my post-fringe show last year where I was Seeking Updates from Montreal Fringe. My offer from last month (and last year) still stands - anyone who wants to can do whatever with Blogging Fringe - we have set up some conventions - Fringe Crush, Voicemail Reviews, and Fringe Moments - do with them what you will. If you send me links I will post them here, or I will give you an account and plenty of attribution on the site.
We will even import your blog posts word-for-word, but a warning that MySpace blogs are not very good for that purpose, since the feeds only include a few words for each blog post.
If you’re in Montreal or any other Fringe City, get in touch. I’d love to just know you’re out there.
I finally saw Here Be Dragons on Patron’s Pick Day. This was one of the few issue-based shows at Fringe, but it was really fabulous.
Thank you to Cervo Systems for providing bandwidth and hosting for Blogging Fringe.
The file is just an MP3 - no iPod is required to listen to this show, although that is a popular way to enjoy podcasts. We have also made our feed available for easy linking to iTunes or other feed readers.
Our first ever Fringe Crush via voicemail! You can call 321-441-3964 to leave a Fringe Crush report, a short radio bit or a review of a show.
Thank you to Cervo Systems for providing bandwidth and hosting for Blogging Fringe.
The file is just an MP3 - no iPod is required to listen to this show, although that is a popular way to enjoy podcasts. We have also made our feed available for easy linking to iTunes or other feed readers.
I was leaving the festival on Saturday night and just felt inspired to call in and leave a message for everyone.
Thank you to Cervo Systems for providing bandwidth and hosting for Blogging Fringe.
The file is just an MP3 - no iPod is required to listen to this show, although that is a popular way to enjoy podcasts. We have also made our feed available for easy linking to iTunes or other feed readers.
Trevor Frasier reads a commissioned piece from the Poetry Vending Machine entitled “Just About the Annoying Beatles Cover Band”. At the 2008 festival, patrons could have an artist compose an original piece for $5 or a haiku for $1.
Patron’s Pick is the only accolade our Fringe Festival bestows on shows, whether local or out of town. I think all of the Picks this year will end up being local, which is a crying shame. I should check previous years and see if out of town shows have earned this honor in the past.
Patron’s Pick day is great - you have the day off of work, you have already sort of seen everything you want to, and you’re also not rushing from one venue to the next and worried about scheduling things, because there is only one show playing at any given time - this makes parking a bit easier, too, from what I can remember.
Genevieve says in today’s newsletter:
Here are the Patron’s Pick winners and their performance times on Monday. We are still waiting on Blue and Brown, as it is a very tight race! As soon as we know, it will be posted on www.orlandofringe.org!
Yellow Venue: Skip Peril and the Players of the Lost Trunk, 10:15 am
Fringe Fundraiser: T.J. Dawe’s The Slip-Knot, a benefit for the Fringe, 11:30 am in the Orange Venue
Two years ago, John Valines and the Rickshaw Boy crew won the Fringe of the Fringe Award - last year they gave it to Blogging Fringe. Radio Rickshaw is a long-running podcast here in Orlando with a small network of shows, and a barbershop quartet.
Also hosting this episode is Greg Barris from the Heart of Darkness Rock and Roll Circus. I actually don’t know much about Greg, except he used to live in Orlando, and he was involved with SAK Comedy Lab. His show was part monologue and part stand-up comedy, and it was pretty good.
Sometime during the week, I bumped into John and Greg with the Marantz recorder interviewing folks, and they talked to me a bit. I talk about Twitter, USB Humping Dogs and Fringe Shows, and I might be on mushrooms.
Only 3 more days! (plus Patron’s Pick Day) Looks like When Pigs Fly and Alice in Wonderland have already been announced as Patron’s Picks for their venues, which sort of makes sense. If you’re interested in supporting the Fringe AND seeing TJ Dawe, check out Monday morning at 11:30, when TJ will be performing the Slip Knot.
As we rolled into the weekend last night with some light rain and lots of folks crowding the Shakespeare Center, I noticed three college-looking kids soliciting people for photographs. I walked up to tell them about Blogging Fringe, and it turned out they were the Orlando Metromix “SHOCK SQUAD”! Is Metromix the Sentinel one, that’s going to be changing their name? It’s not CityBeat, is it? It’s one of those. I went to see what coverage they had of the festival, and it was exactly one article - recommendations based on watching the preview. Also, no comments allowed. They asked me to link to them, and in hopes that they link back, here we go.
Last night, I lost my festival program. Normally no big deal, but this was different - I had written all sorts of notes in my program, marked down page numbers of shows, kept my tickets inside, and started to feel like my program was a treasured item - sort of like a stuffed animal or something, now lost. I checked the Brown Venue, the Blue Venue, the Ticket Booth, and the Garbage Can too, but my program was gone. I went to the box office to get some tickets re-printed ( handy reason for using credit card or the internet to buy your tickets), and proceeded to go through the tickets I did have with the volunteer to make sure I wasn’t missing any others.
Apparently, I’ve seen a lot of shows:
A Brief History of Petty Crime
American Squatter
Boom
*Flamenco con Fusion 08
Galapagos: The Directors Cut
*Mark Baratelli
Move!
MR. FOX
*Mr. Marmalade
On Second Thought
*once upon a time: The End
Oral
Parlour Games
perfectly broken
Power To Pleasing: The Sex Lives of Teenage Girls
*Red, White, and Ignorant: An American Love Story
Shadows In Bloom
Skip Peril and the Players of the Lost Trunk
*Swell
The Boy’s Own Jedi Handbook
*The Bric-a-Brac Vagabond Vintage Variety Show
The Cody Rivers Show presents: Stick to Glue
The Greg Barris Heart of Darkness Rock and Roll Circus
*The Screw You Revue: Déjà vu
*The Slipknot: A Benefit for the Orlando Fringe
Totem Figures
TV iMature
*Wet
When Pigs Fly
* Indicates shows I have not seen, but I have a ticket for.
All of these shows (that I have seen) are awesome. Go see them all. If I could only tell you three, I would include The Cody Rivers Show, On Second Thought and Boom (not in that order). I would say Power to Pleasing, but it’s sold out. I continue to tell folks that if they haven’t seen any dance, they MUST go - we always have great dance at this festival, and I’m seeing all of the 5 dance shows this year. Lastly, (not leastly) if you’ve never seen TJ Dawe, Barry Smith, Jimmy Hogg, Greg Landucci, Gemma Wilcox or any of the other out-of-town monologists (like Paul Hutcheson from On Second Thought, mentioned earlier), they are all worth your time and money. This is also not counting Patron’s Pick day, where I plan to see some shows that have floated to the top, but I managed to miss. It should be a fun experience.
What was also a fun experience was getting a random contact from some folks from Rake Theatre down in Boynton Beach - they’re putting on Fluency this week at the Fringe. Apparently, they are wanting to start an all-Florida arts blog - a very ambitious project. I have about 3 such very ambitious projects in my head, in the works with locals, or I at least own the domain name for them.
The South Florida folks’ project is called, of all things, Florida Arts Blog, which is a Wordpress.com site right now, but for some reason the posts about Fringe have disappeared… ::shrug:: Something and someone to watch in the coming weeks and months. I am trying to sell them on Florida Creatives myself, blogging can come later. They’ve also got a link to Mark’s Orlando Arts Blog up there… I wonder if they’ve been emailing him too…?
